Old House | New Life Blog
The Reluctant Curator
LOVE IS CRAZY AND SOMETIMES CREEPY
LIKE when your mother asks you to come over because she and your father are selling their house and downsizing. Only love can make you ignore the overwhelming feeling of a boa constrictor squeezing the reluctant yes out of your body when she says she has a collection of boxes from the attic with your name on them.
I speak metaphorically. The twenty or so boxes had other names on them. Old names. The names of my dead relatives. I knew what was in those boxes: china teacups and old silver. Formal objects no one uses anymore.
I’m part of the IKEA generation. We’re comfortable breaking things. My favorite mug has a giant chip in it. My desk is full of scrapes and gouges. I once forgot a stainless steel teapot on the stove and it melted. Just the teapot–but the stove would have been soon to follow but for my late-but-timely skill turning off the burner. When the chips in the mugs develop into cracks or I need a new teapot, I take a trek to IKEA: Scandinavian Land of the Allen Wrench where they design the packaging of a dining room set for ten to fit inside a Mini Cooper.
I admit to being seduced by IKEA’s international Marketplace. It’s chock-full of cheap chic dishes and orchids that always make me think I can keep one alive more than a week. IKEA is what our grandmothers called the Five and Ten, but updated and with Swedish meatballs.
But some things just can’t be replaced. Like mothers. There I was, face-to-face with mine in one of two rooms that were my parents’ newly downsized home surrounded by my family tree in twenty boxes. The “no” I had mentally constructed as a shield against accepting more than just a couple boxes on the drive down dissolved into air. She’d seen resistance on my face and was pouting. I was a good daughter, wasn’t I?
So I packed my Mini Cooper with all of them and when I wasn’t looking, my father wedged in an Arts and Crafts chair with a seat in need of re-caning. When I reminded him I had a two hour drive home and now I couldn’t see out the rear window he said, “Don’t go backwards.”
Excavating the boxes’ contents on my dining room table the next day, it hit me that what used to be someone else’s functional object, was now mine, a broken object in need of fixing. Including: a fully crazed set of 1910 bone china, one ton of threadbare linens, forty floral mismatched teacups and saucers, and one doll with a cracked head.
I won’t tell you what happened to the floral teacups because my mother has spies everywhere. But I kept the mostly unusable crazed china, washed the linens, and made plans to have the chair re-caned. I must have felt really guilty about the floral teacups because I felt a bizarre flush of excitement at the idea of restoring the doll with the cracked head. This was weird because 1. I saved no dolls from my own childhood and 2. dolls can be creepy.
Which is exactly what my 18-year-old twins said when I took her out of the box with my name on it. There she was in her creepy glory: a 117-year-old 14-inch leather-bodied doll with frozen joints. Her head was wrapped in a linen napkin. Peeling away the napkin revealed a yellowed face held together with Scotch tape. Placing her carefully on the table, I reached into the box and pulled out an entire Victorian wardrobe of handmade, doll-sized custom clothes. I was smitten. I reached into the box one last time and unwrapped a velvet hat. If I wasn’t already committed to restoring the doll, the hat did the trick. The size of my palm, it was moss green and accented with jaunty feathers.
Love can make you do crazy things, like drive to a doll hospital in a downpour. While I drove I imagined the doll hospital lady removing the doll from its bag, cradling its cracked head and saying “How wonderful, she’s worth thousands!” I imagined selling the doll and buying my parents a bigger place where they could keep all their heirlooms.
I was still engaged in my fantasy once I arrived. I snapped photos of the doll hospital lady, a diminutive woman with meaty hands, removing the doll from its bag and zooming in for a close-up—photographic proof for my mother that I am a good daughter—that I was not prepared for what came next. She swiftly grabbed the doll’s face with one hand and cracked it like an egg shooting its eyes out onto the counter as if they were a pair of yolks.
I almost fainted.
While holding my doll’s eyes in her hand, the doll doctor spoke on the phone with her sister in Florida, a collector of antique doll clothes. With her other hand, she held the velvet chapeau up to the light. “You should see the hat. You’d die.” Then my doctor looked at me, the phone attached to her ear with her shoulder and said, “You wouldn’t consider selling the clothes, would you? The doll isn’t worth very much. The head was an early example of plastic–celluloid. She’ll need a new head.”
Then she held the doll’s eyes up to the light and said, “But we can re-use these—they’re hazel, like yours.”
I felt a little nauseous. I swallowed and stared at the broken doll on the counter.
“She was my great-grandmother’s,” I said. Adding the new refrain to my vocabulary since my mother downsized and outsourced her heirlooms, “I want it restored.” Then I said something I never imagined saying for any reason whatsoever:
“I’ll take a new head and I’m keeping the clothes.”
My doctor sighed and hung up the phone and I felt the potential of paying my parents to keep their heirlooms fly out the window.
But because of love, I did as I was told. While the doll was being operated on, I went home and soaked all her clothes for two days in a bucket of hot water and Oxyclean. Afterwards, I air-dried the clothes on a towel and ironed them. But because I’m part of the IKEA generation, first I had to buy a new iron. I paid the $150 doctor’s bill, photographed all the doll’s Victorian clothes, packed them in tissue, and attached the tag the doctor gave me, to the doll’s foot, detailing its age and details of restoration.
I never showed my mother the eye yolks on the table photos. Just the restored doll herself, with her new head and original eyes, the same color as mine. A long time from now, my sons will just love inheriting her. Because love can make you do crazy things.
Expert doll repairs by Calling All Dolls in Cobalt, CT